Carl Orffs Philosophies In Music Education

1819 words - 8 pages

Intro Sample...

While Carl Orff is a very seminal composer of the 20th century, his greatest

success and influence has been in the field of Music Education. Born on July

10th in Munich, Germany in 1895, Orff refused to speak about his past almost

as if he were ashamed of it. What we do know, however, is that Orff came

from a Bavarian family who was very active in the German military. His

father's regiment band would often play through some of the young Orff's

first attempts at composing. Although Orff was adamant about the secrecy of

his past, Moser's Musik Lexicon says that he studied in the Munich Academy of

Music until 1914. Orff then served in the military in the first world... View More »

Body Sample...

When Orff refers to elemental music,

he means the music, movement, or speech created by children that requires no

special training, or in other words, the things that children do without

really thinking about it. The basis for the Orff method is the belief that

the historical development of music is reenacted in the life of every

individual. This means that, when a child is young, he is similar to a

primitive human being - at least musically - in that both are naive and rely

primarily on natural rhythms and movement to make music. Although this

theory has not been very widely accepted by most music educators, this is

where the Orff method of teaching music begins. The Orff method was so

impressive to the public that the Ministry of Culture recommended the

adoption of the Guenther-Orff experiments in the elementary schools in

Berlin. Unfortunately, the rise of Hitler and the outbreak of war stunted

the growth of these plans. Finally, in 1948, the German broadcasting

authorities urged Orff to resume his educational activities.

The Orff approach, not unlike the Suzuki method, begins with the idea that

music should be learned by a child the same way a language is learned.

Suzuki calls this the "mother tongue approach". A child learns to speak

simply by listening and then imitating and then, later in life, the child

learns to interpret symbols as a written form of that language. So, then, a

child should learn music in the ...

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