Hamlet, a Masterful Mistake

Hamlet, a Masterful Mistake
How well can a person know himself? Or, who can confidently and honestly proclaim that he perfectly knows his characters and personalities? Though not known as a philosopher or a psychologist, Williams Shakespeare seems to address this issue in his legendary work. Hamlet, Prince of Denmark is arguably one of the best known English literatures in history. Despite the fact that many people acknowledge the play for its well written plot with different themes such as vengeance or justice, some scholars seriously disagree. In fact, “Samuel Johnson characterizes Shakespeare’s plots as ‘often so loosely formed … and so carelessly pursued’ ” (qtd. in Kumamoto 202). Furthermore, the article, Hamlet the Actor, indicates that, “Nothing happens in Hamlet, as anyone who has read the play will know” (Pearce 1). Then, “T.S. Eliot singles out Hamlet as ‘puzzling, and disquieting,’ due to, among its faults, ‘superfluous and inconsistent scenes’ ” (qtd. in Kumamoto 202).
According to Brian Pearce, “Most of the significant action of the play takes place before the play begins, or takes place off stage or occurs in the final scene” (1). It is true that the death of Hamlet’s father, which is main reason for all the chaos, is not included in any of the scenes. The suicide of Ophelia, which triggers Laertes’ plan to kill Hamlet, happens off stage. Finally, most readers have trouble to understand the protagonist’s emotions and thoughts. Hamlet constantly changes his decision, becomes mad in one scene and comes back to normal in another. It even seems like, “Shakespeare had not found the adequate way of expressing the emotion that Hamlet feels” (Pearce 1). Therefore, T.S. Eliot declares that, “The play is most certainly and artistic failure” (2).
However, there is one aspect in the story that keeps the spotlight on. Some critics point out that, “Coriolanus … with Anthony and Cleopatra [is] Shakespeare’s most assured artistic success” (T.S. Eliot 2) because the protagonists have a clear mind and personalities for the audiences to follow. On the other hand, others qualify Hamlet as a success for the intricate personality of the protagonist. Brian Pearce wrote:
It seems that whatever positive quality we attribute to Hamlet, the opposite is also true. If we say that he is a gentleman in his treatment of Laertes, then we also have to point to his misogyny in relation to Ophelia and Gertrude. If he seems to epitomize values of friendship in relation to Horatio, then he also seems remarkably alone and isolated. If he appears judicious, then he also appears rash and even brutal. In the late 1950s andl960s it became fashionable to see Hamlet as a political figure, a James Dean figure, a rebel with or without a cause, yet Hamlet also appears curiously uninterested in politics. It is as if the character is itself a contradiction. (3)
Hamlet, as many will agree, has an identity crisis. According to The American Heritage Dictionary of the English Language, an identity crisis is a psychosocial state or condition of disorientation and role confusion occurring especially in adolescents as a result of conflicting internal and external experiences, pressures, and expectations and often producing acute anxiety. It is clear that Hamlet has conflicting internal and external experiences. The expectations from the Royal Court of Denmark, the unthinkable experiences with the ghost of his father requesting him to revenge on Claudius, the pressure to accept his mother’s marriage with his uncle, and the stress to accept Claudius as the new king are some of the conflicts that Hamlet is going through. T.S. Eliot simply concludes that the Danish prince is in madness. He describes the protagonist’s emotions as, “The intense feeling, ecstatic or terrible, without an object or exceeding its object” (4). “In the character Hamlet it is the buffoonery of an emotion which can find no outlet in action” (Eliot 4). The author indicates that such emotions are only found during adolescence and not during full adulthood. As far as he can see, “We should have to understand things which Shakespeare did not understand himself” (Eliot 4).
In some ways, it is very easy to argue the insanity of Hamlet. The unfortunate prince seems to have very little control of his emotions. In fact, in William Shakespeare’s Hamlet admits it himself and says that, “In my heart there was a kind of fighting/ that would not let me sleep” (5.2. lines 4-5). This lack of control leads the character to swings between his moods throughout the play. In the relationship with his mother, Hamlet just cannot fully settle to make up his mind. At first it seem like he believes in his mother’s purity and goodness. But, in later scenes he mocks the Queen by calling her, “The queen, your husband’s brother’s wife” (3.4. 15). He then reminds himself of her love and mourns for her death. Similarly, Hamlet’s relationship with Ophelia is easily destroyed by the constant unstableness in the prince’s attitude. For instance, when Hamlet realizes that Ophelia is acting only for the success of Polonius’s plan, he quickly and bitterly denies that he ever loved her. “You should not have believed me, for virtue cannot so / inoculate our old stock, but we shall relish of it. I loved / you not” (3.1.117-19). At this point, the man seems to be truly cruel but these harsh words are later contrasted at Ophelia’s funeral. There the poor prince confesses, “I loved Ophelia, forty thousand brothers / could not with all their quantity of love / make up my sum” (5.1.252-54).
Ironically, however, it is this obscure character that leads other critics to consider Hamlet as a master piece. “Hamlet’s character, in contrast, is indefinable and this reason Hamlet can be played in an infinite number of ways” (Pearce 2). Unlike any other characters created by Shakespeare, Hamlet does not have any underlying logic in his behaviors. Many indicate that the English writer tries to illustrate the uncertainties of human nature through Hamlet’s madness. The protagonist has so much maybe too much going on in such a short period of time that he cannot think about all the problems. As a result, he lets himself carried away by his emotions and it is in human nature that emotions change all the time.
Since, Shakespeare wrote Hamlet, Prince of Denmark as a play, it is only fair to judge it in a theater. Once on stage, Hamlet’s identity crisis is what really enriches the play. According to Helen Vendler:
Only ”Hamlet,” of Shakespeare’s greatest plays, is ruled by a single lyric consciousness. The Macbeths are two; Hal and Falstaff are two; Antony and Cleopatra are two; Desdemona, Othello and Iago are a triad; and ”Lear” is full of doubles and triads. Hamlet has no sibling, wife or lieutenant jointly pursuing revenge with him: his reflective loneliness and his lyric status elicit his soliloquies. Hamlet is always at the center: all the other figures in the play are there to provoke, to repudiate, to interrupt his brilliant cascades of language.
Unlike many other plays, everything is set focus on the protagonist, Hamlet, and the entire story only builds on depending on his reactions. Audiences can soon realize that the pace and the mood of the story are never constant. As a result, although it seems like Hamlet is crazy and does not even know what he is doing, in reality, he is the one in control of all events and actions.
Brian Pearce agrees with Michael Pennington and describes Hamlet as a “blank sheet” (2) He then quotes Harley Granville-Barker’s Prefaces to Shakespeare to support his point:
A large part of the technical achievement of Hamlet lies in the bringing home his intimate griefs so directly to us. In whatever actor’s guise we see him he is Hamlet, yet the appeal is as genuine as if the man before us were making it in his own person. But the actor does not lose himself in the character he plays. On the contrary, he not only presents it under his own aspect, he lends it his own emotions too, and he must repass the thought of which it is built through the sieve of his own mind. He dissects it and then reconstructs it in terms of his own personality. He realizes himself in Hamlet (Pearce 2).
The interesting fact about Hamlet the character is that it is never the same. Different actors will always interpret Hamlet in different ways. Maybe that is what Shakespeare wants to see happen with his character on a stage. “Hamlet is very much the actor’s play” (Pearce 4).
The Shakespearian protagonist is hard to define. Every time decides on something, he later doubts it. For example, he at first wanted to revenge his father but later on was not sure if he really should commit murder. Also his feelings are always in contradiction. For example, the poor son is uncertain about how he feels toward his mother. In some ways, he is not killing her too only because his father’s ghost claimed her innocent. To conclude, Hamlet does not really have a personality. He is a “blank sheet- he becomes the actor that is playing him” (Pearce 2). “Each actor can bring his own personality, emotions and intuitions to the role … It’s as if Hamlet is an Everyman figure” (Pearce 2).
Numerous debates are still going on about the classical play, Hamlet, Prince of Denmark. To some, Hamlet’s insanity is due to William Shakespeare’s ignorance and an unquestionable mistake. To others, the protagonist’s identity crisis is a masterful creation by the English writer. It is unfortunate that today William Shakespeare is not alive to provide a clear answer. As Hamlet states, “To be or not to be, that is the question” (3.1 57). However, in some ways, the debates kept the play alive for different audiences to enjoy. Finally, Hamlet to this day remains a complex character in the centre of perhaps the finest play in the history of the English language.

Work Cited
Eliot, T.S. “Hamlet and His Problems.” Rutgers. 09 Dec. 2007 .
“Identity Crisis.” The American Heritage Dictionary of the English Language. 4th ed. 2006.
Kumamoto, Chikako. “Shakespeare’s Hamlet.” Explicator. 2006: 202-205.
Academic Search Premier. EBSCOhost. Wilson Lib., New York, NY. 09 Dec. 2007
Pearce, Brian. “Hamlet, the Actor.” Shakespeare in Southern Africa 2007: 63-69.
Academic Search Premier. EBSCOhost. Wilson Lib., New York, NY. 09 Dec. 2007
Shakespeare, William. “Hamlet, Prince of Denmark.” Arguing Through Literature.
Ed. Judith Ferster. Boston: McGraw-Hill, 2005. 583-702.
Vendler, Helen. “Best Poem; Hamlet Alone.” The New York Times 18 Apr. 1999. 09 Dec. 2007

You May Also Find These Documents Helpful

Allegory Of American Pie By Don Mc Lean

Ask anyone what was the defining moment in the rock history of the 1960s was and all you will get is a one word answer: Woodstock. The three day rock festival that defined an era was only one of many music festivals of the '60s. But Woodstock has come to symbolize, "an era of peaceful, free- loving, drug- taking hippie youth, carefree before harsher realities hit..." (Layman 40). The Woodstock festival ended a century filled with many metamorphoses of rock'n'roll, from the era of pop music to the rebirth of folk music to the invention of acid rock. But some cynics say that rock'n'roll died with the death of Buddy Holly before the 60s even began. One such person is Don McLean. The poet behind the haunting epic song about the death of 'danceable' music, McLean wrote the ever popular song, "American Pie" (appendix 1). The most important song in rock'n'roll history, "American Pie", is the song about the demise of rock'n'roll after Buddy Holly's death and the heathenism of rock that resulted. Although McLean himself won't reveal any symbolism in his songs, "American Pie" is one of the most analyzed pieces of literature in modern society. Although not all of its secrets have been revealed, many "scholars" of the sixties will agree that the mystery of this song is one of the reasons it has become so successful- everyone wants to know the meanings of its allegories. Proof of "American Pie's" truth lies in the allegory of the song. Many People enjoy the song but have no idea what it means- Who is the Jester? What is the levee? When the deeper story is found, the importance of the song is unearthed. "American Pie" is not only a song, it is an epic poem about the course of rock'n'roll...

Carl Orffs Philosophies In Music Education

While Carl Orff is a very seminal composer of the 20th century, his greatest success and influence has been in the field of Music Education. Born on July 10th in Munich, Germany in 1895, Orff refused to speak about his past almost as if he were ashamed of it. What we do know, however, is that Orff came from a Bavarian family who was very active in the German military. His father's regiment band would often play through some of the young Orff's first attempts at composing. Although Orff was adamant about the secrecy of his past, Moser's Musik Lexicon says that he studied in the Munich Academy of Music until 1914. Orff then served in the military in the first world war. After the war, he held various positions in the Mannheim and Darmstadt opera houses then returned home to Munich to further study music. In 1925, and for the rest of his life, Orff was the head of a department and co-founder of the Guenther School for gymnastics, music, and dance in Munich where he worked with musical beginners. This is where he developed his Music Education theories. In 1937, Orff's Carmina Burana premiered in Frankfurt, Germany. Needless to say, it was a great success. With the success of Carmina Burana, Orff orphaned all of his previous works except for Catulli Carmina and the En trata which were rewritten to be acceptable by Orff. One of Orff's most admired composers was Monteverdi. In fact, much of Orff's work was based on ancient material. Orff said: I am often asked why I nearly always select old material, fairy tales and legends for my stage works. I do not look upon them as old, but rather as valid material. The time element disappears, and only the spiritual power remains. My...

Johann Sebastian Bach Biography

Throughout the history of music, many great composers, theorists, and instrumentalists have left indelible marks and influences that people today look back on to admire and aspire to. No exception to this idiom is Johann Sebastian Bach, whose impact on music was unforgettable to say the least. People today look back to his writings and works to both learn and admire. He truly can be considered a music history great. Bach, who came from a family of over 53 musicians, was nothing short of a virtuosic instrumentalist as well as a masterful composer. Born in Eisenach, Germany, on March 21, 1685, he was the son of a masterful violinist, Johann Ambrosius Bach, who taught his son the basic skills for string playing. Along with this string playing, Bach began to play the organ which is the instrument he would later on be noted for in history. His instruction on the organ came from the player at Eisenach's most important church. He instructed the young boy rather rigorously until his skills surpassed anyone?s expectations for someone of such a young age. Bach suffered early trauma when his parents died in 1695. He went to go live with his older brother, Johann Christoph, who also was a professional organist at Ohrdruf. He continued his younger brother's education on that instrument, as well as introducing him to the harpsichord. The rigorous training on these instruments combined with Bach?s masterful skill paid off for him at an early age. After several years of studying with his older brother, he received a scholarship to study in Luneberg, Germany, which is located on the northern tip of the country. As a result, he left his brother?s tutelage and went to go and study there. The teenage years brought Bach to several parts of Germany where he...


Michelangelo was pessimistic in his poetry and an optimist in his artwork. Michelangelo?s artwork consisted of paintings and sculptures that showed humanity in it?s natural state. Michelangelo?s poetry was pessimistic in his response to Strazzi even though he was complementing him. Michelangelo?s sculpture brought out his optimism. Michelangelo was optimistic in completing The Tomb of Pope Julius II and persevered through it?s many revisions trying to complete his vision. Sculpture was Michelangelo?s main goal and the love of his life. Since his art portrayed both optimism and pessimism, Michelangelo was in touch with his positive and negative sides, showing that he had a great and stable personality. Michelangelo?s artwork consisted of paintings and sculptures that showed humanity in it?s natural state. Michelangelo Buonarroti was called to Rome in 1505 by Pope Julius II to create for him a monumental tomb. We have no clear sense of what the tomb was to look like, since over the years it went through at least five conceptual revisions. The tomb was to have three levels; the bottom level was to have sculpted figures representing Victory and bond slaves. The second level was to have statues of Moses and Saint Paul as well as symbolic figures of the active and contemplative life- representative of the human striving for, and reception of, knowledge. The third level, it is assumed, was to have an effigy of the deceased pope. The tomb of Pope Julius II was never finished. What was finished of the tomb represents a twenty-year span of frustrating delays and revised schemes. Michelangelo had hardly begun work on the pope?s tomb when Julius commanded him to fresco the ceiling of the Sistine Chapel to complete the work done in the previous century under Sixtus IV. The overall organization consists of four large triangles at...

Oscar Wilde

Oscar Fingal O'Flahertie Wills Wilde was born in Dublin Ireland on October 16, 1854. He is one of the most talented and most controversial writers of his time. He was well known for his wit, flamboyance, and creative genius and with his little dramatic training showing his natural talent for stage and theatre. He is termed a martyr by some and may be the first true self-publicist and was known for his style of dress and odd behavior. Wilde, 1882 His Father, William Wilde, was a highly accredited doctor and his mother, Jane Francesca Elgee, was a writer of revolutionary poems. Oscar had a brother William Charles Kingsbury along with his father's three illegitimate children, Henry, Emily, and Mary. His sister, Isola Emily Francesca died in 1867 at only ten years of age from a sudden fever, greatly affecting Oscar and his family. He kept a lock of her hair in an envelope and later wrote the poem 'Requiescat' in her memory. Oscar and his brother William both attended the Protora Royal School at Enniskillen. He had little in common with the other children. He disliked games and took more interest in flowers and sunsets. He was extremely passionate about anything that had to do with ancient Greece and with Classics. Wilde during school years In 1871, he was awarded a Royal School Scholarship to Trinity College in Dublin and received many awards and earned the highest honor the college offered to an undergraduate, the Foundation Scholarship. In 1874, he also won the College's Berkley Gold Medal for Greek and was awarded a Demyship to Magdalen College, Oxford. After graduating from Oxford, Oscar moved to London with his friend Frank Miles, a well-known portrait painter of the time. In 1878 his poem Ravenna was published, for which he won the...

The History Of Greek Theater

Theater and drama in Ancient Greece took form in about 5th century BCE, with the Sopocles, the great writer of tragedy. In his plays and those of the same genre, heroes and the ideals of life were depicted and glorified. It was believed that man should live for honor and fame, his action was courageous and glorious and his life would climax in a great and noble death. Originally, the hero's recognition was created by selfish behaviors and little thought of service to others. As the Greeks grew toward city-states and colonization, it became the destiny and ambition of the hero to gain honor by serving his city. The second major characteristic of the early Greek world was the supernatural. The two worlds were not separate, as the gods lived in the same world as the men, and they interfered in the men's lives as they chose to. It was the gods who sent suffering and evil to men. In the plays of Sophocles, the gods brought about the hero's downfall because of a tragic flaw in the character of the hero. In Greek tragedy, suffering brought knowledge of worldly matters and of the individual. Aristotle attempted to explain how an audience could observe tragic events and still have a pleasurable experience. Aristotle, by searching the works of writers of Greek tragedy, Aeschulus, Euripides and Sophocles (whose Oedipus Rex he considered the finest of all Greek tragedies), arrived at his definition of tragedy. This explanation has a profound influence for more than twenty centuries on those writing tragedies, most significantly Shakespeare. Aristotle's analysis of tragedy began with a description of the effect such a work had on the audience as a "catharsis" or purging of the emotions. He decided that catharsis was the purging of two specific emotions, pity and...

Scholarship Essay About Goals

Ever since I was a young kid I have always been interested with aircraft. I was so curious of how airplane's fly. I remember taking my toys apart to see how it works. As a kid I wanted to go to the airport to watch the airplanes land and fly and pondered how this happens. Other kids wanted to go to the amusement places. As I grew older I became more and more interested in aircraft and the technology behind it. I always involved myself with aviation early on. I read books and magazines on aviation, took museum tours, built model airplanes. When I was younger my father would take me to aircraft repair facilities where I would watch in great fascination. In my teens, went up to the military bases and befriended many soldiers involved with aircraft and asked them numerous questions. I got to meet many aeronautics engineers and borrowed their old textbooks and read them till the wee hours of the morning. As technology improved with information superhighway, I logged on the web. Stayed up for hours and hours searching through web pages and web pages of information about aircraft and technology. I started my elementary school in the Philippines, then we moved to U.S. and continued my high school education and graduated. Enrolled at the CCSF to pursue my college education and now I am in the 2nd year in CCSF taking aeronautics. My goal now is to obtain my AS degree from the City College of San Francisco (CCSF) so I can transfer to a University and get a Bachelors degree and to continue for my Masters degree in Aeronautics Engineering. I will strive hard to reach the peak level of my career which is a Professor and hopefully to be an aeronautic professor so...

Circus Circus Enterprises Case Studies

Executive Summary: Circus Circus Enterprises is a leader and will continue to be in the gaming industry. In recent years, they have seen a decline in profit and revenue; management tends to blame the decrease on continuing disruptions from remodeling, expansion, and increased competition. Consequently, Circus has reported decreases in its net income for 1997 and 1998 and management believes this trend will continue as competition heightens. Currently the company is involved in several joint ventures, its brand of casino entertainment has traditionally catered to the low rollers and family vacationers through its theme park. Circus should continue to expand its existing operations into new market segments. This shift will allow them to attract the up scale gambler. Overview Circus Circus Enterprises, Inc founded in 1974 is in the business of entertainment, with its core strength in casino gambling. The company?s asset base, operating cash flow, profit margin, multiple markets and customers, rank it as one of the gaming industry leaders. Partners William G. Bennett an aggressive cost cutter and William N. Pennington purchased Circus Circus in 1974 as a small and unprofitable casino. It went public in 1983, from 1993 to 1997; the average return on capital invested was 16.5%. Circus Circus operates several properties in Las Vegas, Reno, Laughlin, and one in Mississippi, as well as 50% ownership in three other casinos and a theme park. On January 31,1998 Circus reported net income of 89.9 million and revenues of 1.35 billion, this is a down from 100 million on 1.3 billion in 1997. Management sees this decline in revenue due to the rapid and extensive expansion and the increased competition that Circus is facing. Well established in the casino gaming industry the corporation has its focus in the entertainment business and has particularly a popular theme resort concept....

Effect Of Civil War On American Economy

The Economies of the North and South, 1861-1865 In 1861, a great war in American history began. It was a civil war between the north and south that was by no means civil. This war would have great repercussions upon the economy of this country and the states within it. The American Civil War began with secession, creating a divided union of sorts, and sparked an incredibly cataclysmic four years. Although the actual war began with secession, this was not the only driving force. The economy of the Southern states, the Confederacy, greatly if not entirely depended on the institution of slavery. The Confederacy was heavily reliant on agriculture, and they used the profits made from the sale of such raw materials to purchase finished goods to use and enjoy. Their major export was cotton, which thrived on the warm river deltas and could easily be shipped to major ocean ports from towns on the Mississippi and numerous river cities. Slavery was a key part of this, as slaves were the ones who harvested and planted the cotton. Being such an enormous unpaid work force, the profits made were extraordinarily high and the price for the unfinished goods drastically low in comparison; especially since he invention of the cotton gin in 1793 which made the work all that much easier and quicker. In contrast, the economical structure of the Northern states, the Union, was vastly dependent on industry. Slavery did not exist in most of the Union, as there was no demand for it due to the type of industrial development taking place. As the Union had a paid work force, the profits made were lower and the cost of the finished manufactured item higher. In turn, the Union used the profits and purchased raw materials to use. This cycle...

Evaluation Of The Effectiveness Of Trade Embargoes

Although I am a strong critic of the use and effectiveness of economic sanctions, such as trade embargoes, for the sake of this assignment, I will present both their theoretical advantages and their disadvantages based upon my research. Trade embargoes and blockades have traditionally been used to entice nations to alter their behavior or to punish them for certain behavior. The intentions behind these policies are generally noble, at least on the surface. However, these policies can have side effects. For example, FDR's blockade of raw materials against the Japanese in Manchuria in the 1930s arguably led to the bombing of Pearl Harbor, which resulted in U.S. involvement in World War II. The decades-long embargo against Cuba not only did not lead to the topple of the communist regime there, but may have strengthened Castro's hold on the island and has created animosity toward the United States in Latin America and much suffering by the people of Cuba. Various studies have concluded that embargoes and other economic sanctions generally have not been effective from a utilitarian or policy perspective, yet these policies continue. Evaluation of the effectiveness of Trade Embargoes Strengths Trade embargoes and other sanctions can give the sender government the appearance of taking strong measures in response to a given situation without resorting to violence. Sanctions can be imposed in conjunction with other measures to achieve conflict prevention and mitigation goals. Sanctions may be ineffective: goals may be too elusive, the means too gentle, or cooperation from other countries insufficient. It is usually difficult to determine whether embargoes were an effective deterrent against future misdeeds: embargoes may contribute to a successful outcome, but can rarely achieve ambitious objectives alone. Some regimes are highly resistant to external pressures to reform. At the same time, trade sanctions may narrow the...